Clik here to view.
Mad Max (1979, George Miller)
While the low budget undoubtedly plays a hand in it, Mad Max is the epitome of narrative efficiency. It should have a big concept–a slightly post-apocalyptic future (but people still vacation and get...
View ArticleClik here to view.
Snapshot (1979, Simon Wincer)
Snapshot is one half middling coming of age melodrama and one half not scary thriller. The picture opens with a burnt-out building and a corpse, then goes back to explain. Director Wincer isn’t playful...
View ArticleClik here to view.
Mad Max (1979, George Miller)
While the low budget undoubtedly plays a hand in it, Mad Max is the epitome of narrative efficiency. It should have a big concept–a slightly post-apocalyptic future (but people still vacation and get...
View ArticleClik here to view.
Snapshot (1979, Simon Wincer)
Snapshot is one half middling coming of age melodrama and one half not scary thriller. The picture opens with a burnt-out building and a corpse, then goes back to explain. Director Wincer isn’t playful...
View ArticleClik here to view.
Mad Max (1979, George Miller)
While the low budget undoubtedly plays a hand in it, Mad Max is the epitome of narrative efficiency. It should have a big concept–a slightly post-apocalyptic future (but people still vacation and get...
View ArticleClik here to view.
Snapshot (1979, Simon Wincer)
Snapshot is one half middling coming of age melodrama and one half not scary thriller. The picture opens with a burnt-out building and a corpse, then goes back to explain. Director Wincer isn’t playful...
View Article
